Meet Corey Circelli—figure skater, ballet enthusiast, and one of the most introspective rising stars in the sport. He’s been called an old soul, not just for his personality but for his unique approach to Winter Olympic figure skating: one that emphasizes classical music, artistic expression, and the kind of purity that defined the golden eras of the sport. Once a training partner of two-time Olympic champion Yuzuru Hanyu, Circelli is now blazing his own trail, crafting what he calls The Winter Olympic Figure Skating Bible alongside fellow skater and best friend Nikolaj Memola. And he’s doing it with his eyes set firmly on the Winter Olympic Milano Cortina 2026.
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Reimagining Winter Olympic Figure Skating from the Inside Out
In a sport often dominated by quadruple jumps and technical milestones, Circelli is an outlier. His programs are curated with the intent to tell a story, to echo the ballet theatre, and to immerse audiences in the emotional landscape of the music. I want people to remember the feeling, not just the elements, Circelli says. I love the jumps, of course, but Winter Olympic figure skating is more than just rotations. It’s ballet on ice. It’s drama. his breath.
His approach isn’t just aesthetic—it’s strategic. Circelli believes that skating is entering a renaissance era, where storytelling and musicality will again take center stage, even in high-stakes environments like the Olympics. You need a complete package now to stand out. Everyone can jump. But can everyone move the audience?
Circelli’s free skate this season is set to Rachmaninoff’s Piano Concerto No. 2—hardly a pop hit or crowd-pleaser by traditional standards. But that’s exactly why he chose it. It’s timeless. It demands attention, he says. And if you can perform something like that well, it stays with people. You Can Read Winter Olympic 2026: Alysa Liu holds edge over Sakamoto Kaori in Olympic figure skating at 2025 World Team Trophy
Olympic Figure Skating: The Road to Winter Olympic Milano Cortina 2026
For Circelli, the upcoming Winter Olympic 2026 Games in Milano Cortina 2026 are more than just another sporting event—they’re deeply personal. His parents, both Olympians themselves, met at the Milano Ice Skating Arena, which will host the Winter Olympic figure skating competition in less than 300 days. It’s a full-circle moment he’s been dreaming about his entire life.
I don’t just want to be at the Olympics—I want to make a mark there, he says. It would mean the world to compete in the same place that shaped my family’s history. The partnership between Circelli and Memola is central to that dream. The two have developed an off-ice friendship that rivals their on-ice collaboration. They call and text before and after every practice, dissecting performances, training regimens, nutrition, and even travel habits. Their ongoing conversations have evolved into what they jokingly—and now seriously—refer to as The Winter Olympic Figure Skating Bible.
It’s really a toolbox, Memola explains. We’re building something that captures what we learn from every competition. How to deal with nerves. Knowing when to peak is key. And if a performance goes wrong, how do you bounce back stronger? All the things you don’t get taught in a training session.
This manual, while informal for now, could one day become a real resource for up-and-coming athletes navigating the complexities of Olympic-level Winter Olympic figure skating. We’re not gatekeeping what we’ve learned, Circelli adds. If it helps others perform better, that’s a win for the sport.
An Artistic Rebellion Against the Status Quo
In many ways, Circelli is rebelling against the current trajectory of the sport. Where others see success through base value points and technical elements, he sees an opportunity to bring Winter Olympic figure skating back to its theatrical, romantic roots. His programs are choreographed with an unusual amount of input from the skater himself—down to the smallest gestures. Everything on the ice has to mean something, Circelli says. If I extend my arm, it’s not just to hit a position—it’s because I’m reaching for something emotionally. I want my programs to feel like living poetry.
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That perspective draws from his background in classical ballet, a discipline he continues to train in alongside his skating. Ballet teaches you control, grace, storytelling—all the things that give Winter Olympic figure skating soul, he explains. It’s where I go to reconnect with the essence of what performance should be. His commitment to artistry hasn’t gone unnoticed. Judges, choreographers, and even former Olympians have praised his musicality and presence. And with Winter Olympic figure skating constant battle between athleticism and artistry, Circelli might just be the athlete who brings both worlds into harmony on the Olympic stage.
Building a Movement, Not Just a Career
Circelli doesn’t just want to compete—he wants to influence the future of the sport. He envisions a new generation of skaters who are just as passionate about movement quality and emotion as they are about technical ability. I want to help create a culture where it’s okay to be vulnerable, to use skating as self-expression, and not just a scoreboard pursuit.
He has already started coaching and mentoring younger skaters in his hometown, encouraging them to study not just skating videos, but also dance, theatre, and music composition. The more you expose yourself to the arts, the richer your skating becomes, he says.
As he prepares for the most important competitive year of his life, Circelli’s goals are clear. He wants to qualify for the Canadian Olympic team, perform two clean programs at the Games, and leave behind something memorable—not just for the judges, but for every young skater watching. I want people to feel something when they watch me skate, he says. And if they do, then I’ve done my job.
Skating with Heart: Circelli’s Steady Path to Winter Olympic Figure Skating Glory
The final stretch to Winter Olympic Milano Cortina 2026 is filled with challenges—national championships, international assignments, mental pressure, and the ever-unpredictable element of injury. But Circelli is grounded. He knows his strengths, trusts his process, and believes deeply in the support system he’s built with Memola, his coaches, and his family.
And above all, he remains committed to the philosophy that has guided him so far: skating with heart. Whether it’s Olympic ice or a small local rink, I skate the same way, Circelli says. With love for the art, respect for the sport, and gratitude for the journey.
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