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Madison Chock and Evan Bates began their Grand Prix Winter Olympic figure skating season with a commanding performance at the Cup of China, claiming the gold medal in ice dance with trademark precision and poise. The reigning world champions, who have dominated the discipline in recent years, delivered a pair of programs that showcased both their technical mastery and artistic evolution, solidifying their place among the sport’s elite as the 2025–26 Olympic season approaches.

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Winter Olympic Figure Skating: Chock and Bates Open Grand Prix Season with Commanding Gold

The American duo, skating to Limelight for their free dance, captivated the audience with an intricate blend of musical interpretation and athletic power. Their performance earned standing ovations and high marks from the judging panel, finishing with a total score of 215.28—well ahead of the competition. The victory marked their first Grand Prix Winter Olympic figure skating title of the season and a strong statement following their summer of refinement and recalibration after last year’s championship run.

It feels amazing to be back competing and to skate with this kind of energy again, said Chock. We’ve been focusing on deepening our connection to the music and pushing our limits artistically. Tonight, we really felt the audience with us. Bates echoed her sentiment, adding, Every season presents new challenges. We’re constantly striving to evolve, not just maintain. This program has been about exploring vulnerability, and that’s been a rewarding journey for both of us. You Can Read Winter Olympic 2026 Chock and Bates Lead Cup of China After Rocking Lenny Kravitz Rhythm Dance

Building on a Legacy of Excellence

Chock and Bates have been fixtures on the international Winter Olympic figure skating scene for over a decade. Since teaming up in 2011, the pair have collected numerous medals on both the Grand Prix circuit and at World Championships. Their journey has been one of persistence and reinvention—transitioning from promising contenders to world champions and Olympic medal favorites.

Their 2023–24 campaign was a defining one. They captured their first world title in Saitama and followed it up with a silver medal at the Grand Prix Final. While many teams might have rested on those accomplishments, Chock and Bates used the offseason to reinvent their style, leaning further into storytelling and emotional nuance. Their free dance this year reflects that evolution, built around cinematic themes of self-discovery and resilience. Artistry has always been a central part of who we are as a team, said Chock. But this year, we wanted to push that even further—to not just perform, but to connect with something real and raw.

A Season of Adjustments

The Cup of China victory was especially meaningful considering the high level of competition. Canada’s Laurence Fournier Beaudry and Nikolaj Sørensen took silver with a score of 206.12, while Great Britain’s Lilah Fear and Lewis Gibson secured bronze with 202.05. The results underscored the growing depth of talent in ice dance, as established veterans and younger teams continue to challenge for the podium.

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For Chock and Bates, however, the focus remains inward. Their technical elements—including precise twizzles, complex lifts, and fluid transitions—were executed with characteristic control. But it was their emotional connection and seamless storytelling that set them apart. Judges rewarded their performance with near-perfect component scores, citing musicality and unity as standout features. We’ve worked closely with our choreographers to find authenticity in every moment, Bates explained. That’s something we take pride in—finding meaning behind every step, every movement.

Setting Sights on Winter Olympic Milano Cortina 2026

As the next Winter Olympic approach, Chock and Bates’ victory at the Cup of China serves as both a milestone and a motivator. The American duo came heartbreakingly close to Olympic gold in Beijing 2022, finishing just off the top spot. Now, with Winter Olympic Milano Cortina 2026 on the horizon, they’re determined to write a new chapter in their storied careers.

Their approach to this Olympic cycle has been calculated and deliberate. They’ve spoken openly about balancing physical intensity with longevity, ensuring they remain competitive while maintaining artistic integrity. Both skaters, now seasoned veterans in their thirties, bring a maturity to the ice that few teams can match.

We’ve grown a lot since our first Olympics, Chock reflected. Back then, it was about proving ourselves. Now it’s about skating with joy, purpose, and gratitude. Every performance feels like a gift. Their coach, Marie-France Dubreuil, praised the pair’s discipline and creativity. Madison and Evan are constantly searching for something deeper, she said. They don’t settle for safe choices—they challenge themselves artistically, and that’s what keeps them fresh and relevant in such a demanding field.

Winter Olympic Figure Skating: Chock and Bates Lead as Ice Dance Field Evolves

The Cup of China also highlighted how competitive the international ice dance field has become. Alongside Chock and Bates, younger teams like Canada’s Marjorie Lajoie and Zachary Lagha, as well as Italy’s Charlène Guignard and Marco Fabbri, are pushing the boundaries of the sport. The Canadians’ energy and modern choreography, in particular, have brought new life to the discipline.

Still, few teams match Chock and Bates’ combination of experience, chemistry, and adaptability. Their consistency across multiple Olympic cycles places them in rare company, comparable to legendary duos such as Tessa Virtue and Scott Moir or Meryl Davis and Charlie White.

It’s inspiring to see how the sport evolves, Bates noted. We’ve been lucky to be part of that evolution, and to still find new reasons to fall in love with skating.

Winter Olympic Figure Skating: Chock and Bates Shine at Cup of China

With the Cup of China victory, Chock and Bates now have one foot firmly planted toward qualification for the 2025 Grand Prix Final. Their next challenge will likely come at the NHK Trophy in Japan, where they’ll face another world-class Winter Olympic figure skating field. Maintaining momentum will be key as they refine their programs ahead of the championship stretch. We’re still building, said Chock. Each competition teaches us something new about the program, about ourselves. That’s the exciting part—it’s a constant process of discovery.

As they left the ice in Chongqing to thunderous applause, it was clear that Chock and Bates had achieved more than just another gold medal. They had reaffirmed their place as standard-bearers of modern Winter Olympic figure skating—artists and athletes in perfect harmony. Their victory at the Cup of China wasn’t just about scores or rankings—it was about storytelling, connection, and the enduring power of partnership. As the Winter Olympic figure skating season unfolds, the question is no longer whether Chock and Bates can keep winning—but how far their artistry can continue to elevate the sport itself.

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Madison Chock and Evan Bates delivered a show-stopping rhythm dance in Chongqing on Friday, taking a commanding lead at the 2025 Grand Prix Cup of China. Skating to a medley of Lenny Kravitz hits, the reigning world champions infused the ice with rock’n’roll attitude — a performance that reminded everyone why they remain among the most magnetic duos in  Winter Olympic figure skating.

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Their electric interpretation of Kravitz’s Are You Gonna Go My Way” and Fly Away combined sharp precision with swagger and chemistry, earning them a season-best score that brought the Chinese crowd to its feet. We wanted to bring something raw and real, Chock said afterward. Lenny’s music has such energy and soul — it felt like the perfect way to start this Grand Prix season.

A New Chapter in Winter Olympic Figure Skating Expression

After a busy off-season balancing performances, coaching work, and choreography projects, Chock and Bates entered the 2025–26 Olympic cycle with renewed focus. Now veterans of the sport, they’re blending experience with creativity — aiming not just to win medals but to leave a lasting artistic mark before  Winter Olympic Milano Cortina 2026.

Every program now feels like a chance to tell our story, Bates explained. We’ve evolved so much as athletes and as people. This season is about skating from the heart — and having fun with it. The Lenny Kravitz rhythm dance is the centerpiece of that new philosophy. Created in collaboration with choreographer Sam Chouinard and long-time mentor Marie-France Dubreuil, the program celebrates individuality and self-expression — qualities that have defined Chock and Bates throughout their two-decade partnership. The music gives us permission to let loose, said Chock. It’s about confidence, connection, and freedom. You don’t have to overthink it — you just have to feel it. You Can Read Winter Olympic 2026 Sato Shun Leads After Cizeron-Choreographed Short at Cup of China

Rock’n’Roll Meets Refinement

While the program is filled with energy, it’s also a technical masterpiece. From the precise twizzles to the lightning-fast midline step sequence, every element was executed with control and intention. Their transitions — set seamlessly to Kravitz’s guitar riffs — flowed with ease, creating the illusion of improvisation while maintaining the difficulty that judges demand.

They make the ice feel like a concert stage, said one commentator. It’s performance, sport, and theater all in one. The audience response was immediate. As the final note of Fly Away faded, the crowd erupted in cheers a mix of awe and admiration for a team that continues to reinvent what ice dance can look like. Even in a field featuring younger competitors, Chock and Bates’ maturity and poise gave them a commanding edge.

Enduring Legacy in Winter Olympic Figure Skating

Now in their 13th competitive season together, Chock and Bates have evolved from talented hopefuls into true icons of  Winter Olympic figure skating. Their chemistry both professional and personal has become their signature, allowing them to bring authenticity to every performance.

We’ve been through so much together victories, injuries, heartbreaks, said Bates. But the reason we’re still here is because we love it. We love the challenge, and we love growing together.

That shared resilience was tested in past seasons as they navigated the emotional aftermath of Olympic disappointment and the physical demands of staying competitive in their 30s. But each challenge, Chock says, has deepened their artistry. When you’ve lived through ups and downs, it changes how you move, she said. You don’t skate for validation anymore — you skate for truth.

Artistic Risk, Technical Reward

Their rhythm dance at the Cup of China exemplifies that philosophy. While the music choice might seem unconventional for ice dance, the blend of rock and rhythm works seamlessly with their style — bold yet elegant, structured yet spontaneous.

Dubreuil praised the pair’s ability to find balance between technical mastery and emotional storytelling. Madison and Evan have this incredible sense of musicality, she said. They can take a piece of music and make it breathe. That’s something rare. Their efforts paid off in scores, with particularly high marks for performance, interpretation, and musical timing. Judges praised their confidence and connection, noting that the routine showcased “commanding presence and originality.

Rivals in Pursuit

Trailing closely behind are Italy’s Charlène Guignard and Marco Fabbri, whose Latin-inspired rhythm dance also earned strong reviews. The Italians remain one of Chock and Bates’ biggest rivals heading into the free dance, setting up a compelling showdown for gold.

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Meanwhile, rising Chinese duo Wang Shiyue and Liu Xinyu thrilled the home crowd with an emotional and technically solid performance, securing third place. The energy in the arena was incredible, said Wang. To skate in front of our fans means so much.

Chock and Bates’ Enduring Impact on Winter Olympic Figure Skating

Beyond the standings, Chock and Bates’ performance in China represents something bigger — a reaffirmation of their enduring influence on the Winter Olympic figure skating world. Known for pushing artistic boundaries, the pair continues to inspire younger athletes to see ice dance as not just competition, but a form of creative expression.

Watching Madison and Evan is like watching movement set to emotion, said one fan online. They remind us why we fell in love with  Winter Olympic figure skating in the first place. Their connection to the sport’s deeper values — artistry, vulnerability, and passion — has earned them a devoted following around the world. Whether it’s their ethereal A Star Is Born” free dance or their fiery new Kravitz rhythm, the duo continues to reinvent themselves without losing authenticity.

Eyes Toward Winter Olympic Milano Cortina 2026

With the Winter Olympic  Milano Cortina 2026 Games approaching, Chock and Bates are aware that each performance carries extra weight. They’ve been open about viewing this Olympic cycle as potentially their last, but rather than succumbing to pressure, they’ve chosen to enjoy every moment.

We’re skating for joy, Chock said simply. If that joy inspires others  on or off the ice  then that’s what really matters. Bates echoed the sentiment: This isn’t just about medals. It’s about meaning. We want to leave the sport better than we found it.

Artistry, Freedom, and the Future of Winter Olympic Figure Skating

As the Cup of China moves toward its free dance finale, one thing is certain: Chock and Bates are not just leading — they’re leading with purpose. Their Kravitz rhythm dance has proven that even in a sport rooted in precision, personality still reigns supreme. And when the final note rings out and the crowd rises again, it’s clear that Madison Chock and Evan Bates aren’t just skating to win — they’re skating to live out loud.

For the reigning World champions, the performance in Chongqing felt like another statement of intent — a reminder that ice dance continues to evolve beyond classical molds. Their rhythm dance showcased not only technical mastery but also the fearless creativity that has defined their partnership for over a decade. It’s this blend of innovation, connection, and pure musicality that has kept them at the forefront of Winter Olympic figure skating, inspiring a new generation to find freedom and individuality on the ice.

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Sato Shun delivered the performance of his life in Chongqing on Friday, gliding into first place after the men’s short program at the 2025 Grand Prix Cup of China Winter Olympic figure skating event. The 20-year-old Japanese skater stunned both the audience and judges with his seamless blend of technique and artistry — the latter shaped by none other than Guillaume Cizeron, the Olympic ice dance champion whose influence has brought a new emotional depth to Sato’s skating.

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Scoring 97.86 points, Sato edged ahead of American phenom Ilia Malinin and Canada’s Wesley Chiu, setting the stage for a thrilling free skate showdown. But beyond the scores, what captivated fans most was the emotional fluency of his performance — a piece choreographed by Cizeron that Sato described as the most personal and freeing program of his career.

Winter Olympic 2026: Finding Freedom Through Artistry

I wanted this program to show who I really am, Sato said afterward. Working with Guillaume taught me that movement isn’t just about steps — it’s about breathing, feeling, and letting the music guide you.

The short program, set to Experience by Ludovico Einaudi, showcased that philosophy beautifully. Every glide, turn, and extension seemed to flow effortlessly, as if the ice were responding to him in real time. While his jumps — including a clean quad toe loop and triple Axel — anchored the performance technically, it was the in-between moments that made it memorable.

Cizeron, who has turned to choreography full-time since retiring from competition, praised Sato’s openness during their collaboration. Sato has a natural fluidity, Cizeron said. He listens to his body and to the music. My goal wasn’t to change him, but to help him connect to something deeper. The result was a program that blurred the line between sport and art — one that left even veteran observers describing it as sublime and transcendent. You Can Read Winter Olympic 2026: Gunnarsdottir and Piazza’s fearless lifts spark Iceland’s pairs Olympic Figure Skating rise

The Journey to Confidence

Sato’s rise has not been without struggle. Coming off a difficult 2023–24 season marked by inconsistency and self-doubt, he entered this Grand Prix cycle determined to rebuild his confidence. Last year, I was trying too hard to be perfect, he admitted. Now I just want to be real.

That mindset shift has paid dividends. His jumps have grown steadier, his spins more centered, and his performance quality more mature. Those close to him credit his collaboration with Cizeron for helping unlock that balance between control and release.

Guillaume told me to stop chasing power and start chasing presence, Sato said. That changed everything. Sato’s coach, Mie Hamada, echoed that sentiment. He’s grown immensely — not only as an athlete but as a person, she said. When you watch him now, you see joy and calm in his movement. That’s the mark of a skater who’s found his voice.

A New Generation’s Expression

The partnership between Sato and Cizeron reflects a broader trend in men’s Winter Olympic figure skating: a new generation embracing fluidity, vulnerability, and expressiveness as strengths rather than embellishments. While powerhouses like Malinin dominate headlines for their quadruple jumps, skaters like Sato remind audiences of the sport’s artistic roots.

During Friday’s short program, Sato’s gentle arms and flowing transitions contrasted sharply with the explosive energy of his competitors. Yet the audience response was universal — thunderous applause that continued long after his music ended. Japanese skating commentator Nobunari Oda described it perfectly: Sato brought the audience into his world. That’s rare. He didn’t perform for the judges — he performed for himself.

Balancing Artistry and Ambition in Winter Olympic Figure Skating

Despite his artistic breakthrough, Sato remains a fierce competitor. His technical base remains solid, and he’s working to expand his jump repertoire while maintaining the fluid quality that defines his skating. I don’t see art and sport as opposites, he said. They feed each other. When I skate with emotion, my technique follows.

Heading into the free skate, he holds a slim lead over Malinin, who remains the favorite to win overall. But Sato insists that the standings are not his main concern. The goal is not to win, it’s to connect, he said. If I can skate with the same honesty I did today, then I’ve already succeeded.

Still, his progress has reignited excitement in Japan’s men’s skating scene — one long defined by champions like Yuzuru Hanyu and Shoma Uno. With his blend of sensitivity and precision, Sato is increasingly seen as part of the next generation poised to carry Japan’s legacy forward into Winter Olympic Milano-Cortina 2026.

A Creative Partnership Redefining Men’s Winter Olympic Figure Skating

The collaboration with Cizeron has also given Sato a new perspective on what it means to perform at the highest level. Guillaume never talks about medals, Sato shared. He talks about energy, about being present. He taught me that audiences don’t remember who wins — they remember who moves them.

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Cizeron, for his part, believes that Sato represents the kind of skater who can redefine modern men’s Winter Olympic Figure skating. He’s not afraid of softness, Cizeron said. That’s powerful. We need more of that. Their partnership has drawn comparisons to iconic skater-choreographer duos of the past, with fans praising the synergy between Cizeron’s lyrical touch and Sato’s understated charisma. It’s like watching movement breathe, one viewer commented online after the performance.

Winter Olympic Figure Skating – Skating for Peace and Purpose

As the Winter Olympic figure skating Cup of China heads into its decisive free skate, Sato’s challenge will be maintaining that sense of flow under pressure. His long program, also designed with Cizeron’s input, is said to push even deeper into emotional territory — a reflection on self-discovery and transformation. I’m not skating for perfection anymore, Sato said. I’m skating for peace.

Whether or not he holds onto first place, Sato’s Cup of China short program has already marked a defining moment in his Winter Olympic figure skating career — one that showcases both his evolution as an athlete and his courage as an artist.

As the lights dimmed after his performance, Cizeron watched from the stands, visibly moved. Later, he shared a simple message on social media: Flow like water. Skate with heart. Always proud of you, Sato. In a Winter Olympic figure skating world often dominated by numbers and technique, Sato Shun has reminded the world of something timeless — that true mastery isn’t about chasing points, but about capturing hearts.

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